Jacob Appelbaum ([info]ioerror) wrote,
@ 2005-04-23 21:27:00
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The Yezidis village, Iraq - part two
This is the second part of the two part series.
If you missed the first part, you can find it here. Please read the WikiPedia article that I link you to in that entry! It gives you all sorts of background that if incorrect, I wouldn't have to update this page.

I admit that I'm breaking my "Absolutely No Photographs In Cemeteries" rule but it's worth it.

Let's face it, goths posing in front of American graves just aren't as groovy as these photos.

An interesting thing about the Arabic script in these photos is that they're all Kurdish words. The Kurds have some seriously strange linguistic skills. Imagine this, you speak one language and you can write it in Turkish (Latin characters) or in Arabic. It means the same thing. Imagine if you're living in California and people speaking the same language 200KM away write it entirely differently. Insanity! I suppose that's what happens when your people have to adapt to living under the rule of so many different oppressive forces. This is almost certainly magnified by the fact that they that are willing to commit genocide. Saddam wasn't nice to the Kurdish people and that goes double for the Yezidis people.



This is a shot of their graves, tombs and some sort of above ground crypt. On the gate is Malak Ta’us, their king. They commune with it to speak to their god.

This is what they say often according to my translator:
"You god. You king. You peacock."




A wider shot of the same.



Again another shot of the same graveyard.



This child is amused by my interest in his dead relatives.



This is an event hall where many of the Yezidis people have weddings and other ceremonies.



This tree is sacred in the faith and society of the Yezidis people. If you made the mistake of carving your name into it, you'd be in a lot of trouble. The name of the tree is chnar apparently. My friends that were translating were doing it from the Yezidis village dialect of Kurdish (Translator 1), into Arabic (Translator 2) and into English (Me). That makes for some hilarious English spelling! I might as well just make it up.



This is a side view of the crypt and another of their sacred trees.



This tree is bare and dead but left untouched. Their graves are similar to that of the western world but the Arabic script is very fancy and beautiful. Again, these are Kurdish words written in Arabic script.



This is one of the most beautiful markers in the entire cemetery.



The texture on this stone is slightly rough in the middle, smooth on the edges and the script.



This is a full shot of the gates with peacock king. Apparently the peacock consorts with another lion deity here.



A closer shot of the left side of the gate.



A close up of Malak Ta’us. This is the right side of the gate. It's hand painted.



A shot of one of the beautiful graves with the facade of Malak Ta’us on the gate in the background.



These graves are in the shade of a metal cage to both prevent people from walking on the graves but apparently these people were also either important somehow or wealthy.



I have no idea what this actually means but I'm pretty sure it means something.



This is the back of the event hall. Nice stairs.



This is the Malak Ta’us made of stone and painted gold on the inside of the event hall. Soft focus.



Here's an idea of the scale of this peacock: I'm 6'2" tall.



This is a closeup of the peacock.



The symbols to the left of the peacock.



The symbols to the right of the peacock.



A closeup of the peacock and it's feathers.



I've stepped back to show you the hall and the peacock.



This is embedded into the wall above the front and main entrance. Again, this is Arabic with Kurdish words.



This is the icon to the left of the main entrance, it's stone painted gold.



This is the icon to the right of the main entrance. You can see the roof of the building to the right of the icon. The roof is rounded and it's actually stacked like peacock feathers. When you're under it or on the roof you can see this better.



In this shot you can see that their priest sleeps inside of the hall often.



An almost full shot of the event hall.



Jayme then found her way to the roof on the previously mentioned stairs.



From the roof of the event hall facing the above ground crypt.



This is the roof and it's full glory of feather like spread. Pretty awesome architecture.



Here's another shot of the steps that are created because of the faux wing look.



Another shot of the wing. This is the front of the building.



This man only spoke Kurdish but identified himself as a member of some sort of Yedizis clergy.



This is another part of the roof and these are steps to a lower level. They're really interested in the peacock.



These are the some of the locals washing their clothing in the stream.



These happy children wave goodbye as we thank everyone for their time and then leave.





(13 comments) - (Post a new comment)

symbols
[info]desierto
2005-04-23 05:55 pm UTC (link)
Again thanks, this is simply wonderful. Is there any explanation for what the symbols to the left and the right of the peacock represent? It almost seems like measurments or instructions on how to build that grooved steeple.
Anyway it's fascinating.

(Reply to this) (Thread)

Re: symbols
[info]ioerror
2005-04-23 06:20 pm UTC (link)
They did not explain that in a way that I understood.

(Reply to this) (Parent)(Thread)

Re: symbols
[info]roseredcity
2005-04-23 07:55 pm UTC (link)
Last week I saw a movie called Marooned in Iraq. It takes place in Kurdistan during the Iran/Iraq war in both Iran and Iraq. The Kurds who live there don't really care which country it is. You should see it when you get back to a place that has Netflix. Or perhaps you can rent it somewhere in Iraq. Also there's an awesome Kurdish restaurant in Menlo Park. I'll take you there next time you're back in the Bay Area.

(Reply to this) (Parent)

Re: symbols
[info]phuff
2005-04-25 01:27 pm UTC (link)
Those symbols on the left and right of the peacock look like cuneiform to me.
It's a script which was used (like modern day arabic script in the region) to represent different languages. From the wikipedia entry it looks like it's right at home in the region, having been a babylonian/persian type thing. I wonder how freaking old that particular peacock was. Was it made out of wood?

(Reply to this) (Parent)

Re: symbols
(Anonymous)
2006-01-19 01:46 pm UTC (link)
Hi
Left side of the peacock:
the small symbols like lines and triangles are what we call "nail script". We yezidis used this script for thousands year ago.
I really don't remember all what the man who made this picture sayed about those this script but here is some sentences saying some thing about yezidi and the yezidi holy city Lalish. And the big symbol like four big nails is the symbol for the four time of the year.

Right side of the peacock:
here is again the "nail script" saying some thing about yezidi. The other symbols is the yezidi holy temples.

Bahzad A. Mourad

(Reply to this) (Parent)

Re: symbols
[info]inannas_descent
2006-10-11 08:24 pm UTC (link)
The "symbols" to the left and right of the peacock carving are cuneiform, the script looks to be most likely Neo-Assyrian, but it could be Sumerian or Akkadian in a stylized script. The cuneiform sign to the left is the sign in all three languages for "god". I believe I saw the Sumerian word "lugal" in there, which translates as "king", as well as the signs for "father" and possibly "water", but I'm really rusty on this stuff, so I'm not sure on those last two.

This is truly amazing. I've been studying the Yezidis for some time now. This is the first time I have ever seen the cemetery or event hall. I am overwhelmed.

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Re: symbols
[info]ioerror
2006-10-11 08:33 pm UTC (link)
Thanks for the explanation!

(Reply to this) (Parent)(Thread)

Re: symbols
[info]inannas_descent
2006-10-12 12:49 am UTC (link)
I would really like to discuss this with you sometime. Were you there for a research project? I would love to go there. I wish I had studied Arabic and Farsi in school along with the ancient languages. I have read some very fascinating bits of information on the Yezidis and the worship of Malak Ta'us. Andrew Collins, author of "From Ashes of Angels: The Forbidden Legacy of a Fallen Race" has suggested that the Yezidis represent the oldest surviving trace of the original Cult of the Watchers, or the Fallen Angels kicked out of heaven for teaching humankind secret knowledge. (Book of Enoch, Old Testment) I've been researching the subject for the past four years.

If you want to chat sometime my AIM is ComeOnLilDevil, my msn messenger and email is oliverias@msn.com.

- Starr

(Reply to this) (Parent)

Yezidi Village
(Anonymous)
2005-09-27 06:38 pm UTC (link)
Hello,
I saw your photographs from the Yezidi Village and I am curious if you remember the name of the village. Could you also tell me a little bit about why you are interested in the Yezidis.
As for myself, I am an anthropologist who did field research among the Yezidis in Syria, their current political, cultural and economic situation. And I would like to share and compare these information.
Sebastian

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Re: Yezidi Village
(Anonymous)
2006-01-19 01:21 pm UTC (link)
Hi
It seems to me that the pictures are taken from the yezidi village northern the big Iraqi city Mosul. I don't know how to spell the name of the village for you, but it sounds like "Baadre".

Bahzad A. Mourad

(Reply to this) (Parent)(Thread)

Re: Yezidi Village
(Anonymous)
2006-02-12 04:15 am UTC (link)
hello Bahzad.

How are you brother? guess who this, your brae-axrate, Azhar el Canada. Tu Cawani?. We are so happy to see these pictures on this site. part 1 and part 2

anyway, e-mail me. we will talk.
azfarrr@yahoo.com

(Reply to this) (Parent)


[info]aiom
2006-04-07 09:39 pm UTC (link)
Thank you for photos very much.

The symbols is the sumerian cuneiform script. The left biggest symbol, for example, is 'Anu', means 'god', 'godness'. This is the same symbol used for star. However, some other signs contains right-to-left and bottom-to-top oriented cuneiforms, which was not used in suberion. Probably there are also some other mistakes in orientation of strokes which could appear due to pinting and repainting errors during the last centures.

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(Anonymous)
2007-07-28 05:33 pm UTC (link)
Can't open images. Help!

From
A Yezidi lover.

(Reply to this)


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